Quite the interesting project (mini-documentary) we have from Stones Throw Records and Dublab on DVD, which released just 10 days ago. What are you waiting for? Check the trailers out. Also, for information on the DVD release party this coming Saturday, April 3, go here.

DARREN EMERSON 1 HOUR MIX

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jimpster – treat me right
russ gabriel – prey tell
d’julz – rotondo
steve hurley – jack your body
m.in – the beat
Acumen – Victory
Maher daniel – dropping the gramaphone
Josh Wink – Everybody To The Sun (Slam)
Ben Ben – Lucy Lu
Darren Emerson – Decisions
Darren Emerson – Hard4Slow (Xprezz-2)
Darren Emerson & Jamie McHugh – Where We Came From (Patch Park)
Dave Manual – Thunderbolt
Darren Emerson – Hard4Slow (Detone Dub)

D.RAMIREZ 30 MIN MIX

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Infusion – try it on d.ramirez remix
d.ramirez – nitr8 paul woolford remix
dave seaman – the mighty ming d.ramirez remix
d.ramirez – nitr8
way out west- body motion d.ramirez remix
d.ramirez – devia8or

EVIL NINE 1 HOUR MIX

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1. we love animals – crookers , soulwax and mixhell
2. no milk ( mercury remix ) – munk ft asia argento
3. the game – golden bug
4. predador ( beatacue remix ) – French fries
5. donut ( boy 8-bit ) – mandy & booka shade
6. no more – hot city
7. judas ( dem slackers remix ) – mom & dad
8. no security ( bar b more remix ) – crookers
9. if you came to party – tony senghore
10. 10.01 ( villa remix ) – c90s
11. suckerpin ( feadz remix ) – modeselektor
12. transmission ( djedjotronic remix ) – boys noize
13. no manners ( dannoso inst remix ) – evil nine
14. love vibrations ( DIM reloved remix ) – dada life
15. nous sommes – MMM
16. rakfunk – Pryda
17. synthesiseur ( das glow extended remix) – housse de racket

ROBERT BABICZ 1 HOUR MIX

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intro
r.babicz – remote kiss ( babiczstyle)
r.babicz – the sun ( babiczsyle )
r.babicz – dark flower (fever album mix) ( systematic )
g.boratto – i feel ( babicz earth remix ) ( defray )
r.babicz – percofonik ( babiczstyle )
r.babicz – storm lunch ( babiczstyle )
r.babicz – astor (g.boratto rmx) ( systematic )
r.babicz – come closer ( lost babicz mix ) ( systematic )
r.babicz – simple feeling ( babiczstyle )

DAM FUNK ON TOUR!

GET READY.

Dam Funk is on the road in support of his epic five volume masterpiece, Toeachizown. Released last fall on Stones Throw, Toeachizown was embraced by critics and fans alike. Keeping the funk movement alive and well at his club night, Funkmosphere, in Los Angeles, Dam is ready to give the rest of the country a taste.

Check out the love for Dam Funk, because there’s a lot:

Dâm’s specialty lies in 80s-style analog fizziness once spearheaded by the likes of Roger Troutman and Prince. His grooves are thick and synth-y and beatifically mid-tempo; they conjure champagne glasses clinking in soft focus or day-glo block parties filled with boomboxes and barbecue. PITCHFORK

Dam-Funk’s D.J. sets run headlong toward shimmer, with glorious winding synths that are a Los Angeles hallmark. NY TIMES

[Dam’s] compositions are full of blown-out synthesizers, thwapping drum machines and vocodered vocals, all wrapped in a thick purple fog. It’s the kind of stuff that would blare from the stereo of a homemade spaceship. LA TIMES

Channeling the past, L.A.’s Dam-Funk brings funk back to the future. XLR8R

Los Angeles ambassador of boogie grooves, Dam Funk, taps into the warmth of the sun with this five-volume effort. SF BAY GUARDIAN

To hear him talk about funk is to hear an alchemist orate on the elixir of life—he speaks of its untold power, its limitless influence, of its ability to help, and furthermore, to heal. THE FADER

Toeachizown is a must-hear for all the lush terrain it visits and fertilizes. If you’ve an interest in the rubbery bounce of Zapp, the synthesized sexual obsession of early Prince, the re-evaluation of the G-Funk Era happening every morning and afternoon on the Los Angeles freeways thanks to the way-ahead-of-the-curve KDAY-FM, or LA’s nascent “bedroom funk” scene….. or LA’s throwback-soul movement … Toeachizown is the first, uh, “project” with the grapes to even try to condense it all, and go one or two further. Dustedmagazine.com

What makes it so exciting is the way in which [Dam] threads his singular vision with a scholastic and soulful reverence for the past. Like a missing quadrant between the sparkling sequin sheen of Slave, the talk-box groove of Roger Troutman and Zapp, and the G-Funk glide of Dr. Dre and DJ Quik, Toeachizown is quintessential California ride music. LA WEEKLY

The master of Modern Funk will bring the house down on the following select dates.…

Thurs 3/4 – Toronto @ The Drake
Fri 3/5 – Montreal @ Lambi
Sun 3/7 – Boston @ Great Scott’s
Wed 3/10 – NYC @ Bowery Ballroom (Full Live Band Show)
Fri 3/12 – Philly @ Robotique at Kung Fu Necktie
Sat 3/13 – DC @ 411 NY Ave. (DJ only)
Sun 3/14 – Baltimore @ Ottobar
Tues, 3/16 – ATL @ Bar CV
Wed 3/17-20 – Austin, TX @ SXSW
Sat, 3/27 – Miami @ WMC

Jahmek Power aka Jammer is one of the true pioneers of the grime scene. A builder of bridges and peacemaker rather than a loose cannon, Jammer is one of the few people in London who can count both Dizzee Rascal and Wiley amongst his friends and who has worked with Kano, Tinchy, Chipmunk and just about everyone else, underground and overground. And if none of them have a bad word to say about him, that’s because, at heart, Jammer believes more in music than he does in ego.

Jammer always knew he’d do something in music. His dad was a musician and he grew up fiddling with the buttons on the family stereo. As a teenager he started out DJing drum & bass and ragga with a mate, DJ Supa D (now one of UK funky’s biggest names) after the pair of them found some cheap decks down Hackney Wick market. After leaving school he went to work at the distributors Essential Direct just as So Solid and Ms Dynamite started to come through from the underground. Jammer saved up his wages to buy a basic production set-up which he installed in the cellar of his family’s house in Leytonstone. The space was to become known as The Dungeon and to many people is one of the key locations in any geographical history of grime.

With friends D Double E and Hyper Jammer formed 187 Crew, the three of them eventually migrating to join Nasty Crew around 2000. Nasty were to become one of thedefining crews within the early growth of the musical style which would eventually be named Grime. Their famous Monday night show on pirate station Déjà Vu started at this time and they were amongst the first to be playing releases from the likes of Roll Deep and Dizzee. And as well as the radio show, Jammer was producing, for instance putting together the beat for “Take You Out” – the first Nasty Crew track to feature Kano. Jammer followed this up by releasing Kano’s “Boyz Luv Girlz” on his own Jahmektheworld imprint. Alongside this sat his own “Dubz” releases on the massively influential Locked On imprint, his renowned remix of “Are You Really From The Ends?” and the “Why?” white label, released by Wiley.

Jammer’s connection to Locked On would lead to Kano and D Double E meeting Mike Skinner and eventually signing to 679, an event which played its part in the dissolution of Nasty Crew. Suddenly finding himself with less rappers in the studio Jammer began to play around with MCing himself. The result was “Murkle Man” – one of the funniest (and biggest) grime tunes (and videos) ever made, and one which emphasised that the music could incorporate humour and self-deprecation as well as macho posturing. In between touring the country in a purple and green superhero costume, Jammer found time to release the excellent “Are You Dumb?” mixtape series (check the cover to volume 3, showing Jam tying his shoelace in front of oncoming traffic on the M11) and mastermind, film and record the “Lord of the Mics” DVDs, all from that same basement in the family home and including such classics as the clash between Kano and Wiley.

Since then, in between the mixtapes and DVDs, Jammer has toured the world with Dizzee Rascal and the Dirtee Stank crew (as well as recording with him on the “Murkle Man” remix and “Lemon”), become a member of the most influential contemporary grime collective, Boy Better Know, featured on the BBK remix of Jay Sean’s “Stay” (over 1 million views on YouTube) and on and on. All this and the man is still only 27 and about to release his debut album!

When Kid Sister announced this show on her Facebook, we hadn’t even heard about it, but snagged tickets online the same day because intuition was just shouting that it would be a fun time. Kid Sister–aka Melisa Young–and Flosstradamus–J2K (Josh Young) and Autobot (Curt Cameruci): are you kidding us? Our expectation for the show could not have been more accurate!

Detroit Bar isn’t a huge venue in terms of space, but it’s big enough and the vibe there the whole night was awesome. We arrived early: before the place had even really filled-up, and it was still entertaining to start the night by listening to good music as the TV screens played clips from the 80′s. Not much time passed before the place was packed and everyone was dancing.

This was the best show that we’ve been to in months. It’s not purely about the music, of course, but it’s also about the crowd. Not only were the performances great, but everyone at the event was pretty chill. You know those times you’ve found yourself out and there’s some belligerent drunk guy trying to start beef with you over nothing, or when everyone’s so hung-up on looking cool that they are kind of awkward and don’t even seem like they’re really having a good time? Well, this night was the opposite. Most everyone seemed like they were just busting loose and enjoying themselves. For that reason it was a memorable night. Check out the video below and see how part of how wild things got for yourselves.

Okay, so you may have noticed the annoying feedback in the series of clips. Oh well, just like love, shows aren’t perfect. Kid Sister handled it in a breezy way though, and honestly, the energy during the show was so intense with everyone all hyped-up by the performance that it wasn’t all that noticeable.

The show was also covered by the OC Weekly crew. See their fantastic coverage at ocweekly.com.