Happy 2012! As we all embark on this exciting (and perhaps historic) new year, we would like to take a moment to share our intentions for the Do LaB community and Lightning in a Bottle festival. Whether prophesied, or simply the true state of affairs, our community, our nation, and our planet face great change at this particular moment in time. We invite you all to embrace this change and continue celebrating life and our incredible human spirit during these tumultuous times. Though our problems seem many, and solutions difficult, we must remember to approach them with grace, love and celebration for in this attitude lies our best way forward.
LIB has always been about discovering and enacting a different way of living. A way that is more in touch with the earth, with each other, and with ourselves. As the pace of change continues to accelerate all around us, and old ways of thinking begin to reach their logical and useful ends, LIB continues to expand its spiritual and educational aspects so that we, as a community, may boldly embrace and lead the way into this new world. The Temple of Consciousness will be bigger than ever this year and will include inspiring new structures for the yoga and meditation area, as well as the beautiful area for speakers and workshops in the heart of the Temple. At the same time, we have a music and performance lineup brewing (scheduled to be released in March) that could be our best yet and is sure to awaken the celebration of dance that we hold so dear.
We are so happy and proud of the way LIB has been able to continue to grow and mature, while continuing to preserve that indescribable vibe we have all come to love so much. We thank everyone that participates in this event, from the volunteers and the musicians, to the painters, builders, artists and crew, and especially to you for contributing to that feeling that makes everyone feel so welcome and happy to join us in capturing lightning in a bottle, year after year.
It is to all of you that understand and reinforce the intention of the festival that we offer our early bird discount tickets for 24 hours starting on Monday, January 16th at 7am. We can’t be absolutely sure, but all indications point to the festival becoming sold out earlier than ever before this year. We don’t want you, our valuable core of festival goers, to miss out on tickets this year. We want to see you smiling again, bringing your incredible energy and understanding to help us make Lightning in a Bottle 2012 our greatest year ever.
Tracklisting
1 – Warm Dark Place (Original Mix)
2 – 1000 Buddhas of the Pureland of Bass
3 – The Heart of Definitive Meaning
Receiving a perfect score of 10 and named the “money shot release” in the new issue of Mixmag, “The Low FreQuency Pureland EP” marks DJ/Producer FreQ Nasty’s re-entry – with a vengeance – into the world of boundary-pushing music.
“I specifically avoided making dubstep on this EP as my modus operandi has always been –“look which way the crowd is moving and run in the opposite direction,” FreQ Nasty says. “Having said that, the crunkstep vibe of “1000 Buddha’s…” was made with that 100 BPM-808-Hyphy Hip-Hop sound in mind, but then other influences snuck in there too. And in the end my tunes never turn out quite how I imagine them to. So I don’t know what genre you would put these tracks in specifically. Not dubstep? Post dubstep? It doesn’t really matter at the end of the day as new genre’s often start in one physical location but very soon spread to anywhere you can get a half way solid link to the internet. This EP dropped out of AT&T’s broadband network somewhere between London and California. I hope you enjoy it as much as I enjoyed getting back in the studio.”
Digging into the tracks, “Warm Dark Place” is a glitch-hop and drumstep hybrid of equal parts West Coast glitch hop and UK tear-out. The influence of FreQ Nasty’s time in the US Bass heaven of California is obvious with a haunting melodic refrain offsetting the hefty bass pressure. “1000 Buddhas of the Pureland of Bass” is a crunkstep roller that takes the uptempo Hip-Hop beats of the Northern Californian Hyphy movement and welds them to seismic 808 bassline. FreQ Nasty played this across the summer of 2011 and the 808 bass solo in the middle gets them screaming every time. “The Heart of Definitive Meaning” is a journey into the more reflective side of bass music. Swathes of guitar over a backdrop of distant chimes and revolving chords all served on a bed of deep sub bass. It evolves slowly with an almost subliminal drop into angular stabs of low frequency voltage.
Born in Fiji, raised in New Zealand and formed musically in the dance music revolution of London in the late 90’s, FreQ Nasty started his career on the seminal UK label Botchit & Scarper, moving to SKINT Records in 2003. He went on to release a slew of cutting-edge records, collaborating with and remixing a diverse range of artists including Fatboy Slim, Kelis, KRS One, Roots Manuva, Rodney P, and Reggae legend Junior Delgado. 2008 saw the release of ‘Creator’, his crossover hit collaboration with MIA producer Switch and NYC hipster Santogold, and the ground breaking FABRICLIVE 42 mix CD, which was picked as DJ Magazine’s compilation of the month. He is one of Burning Man festival’s most loved DJs, where he brings his signature mix of drumstep, glitch-hop, dubstep and all things Bass heavy every year. 2011 saw the release of “Dread at the Controls” on California’s Muti Music, which launched the 17-city Monsters of Bass tour with Marty Party and Opiuo. With the cutting-edge re-design of his website, launch of his new label, FreQ Nasty Recordings, and worldwide release of his new EP, supported by online, blog, and international press coverage, FreQ is making a powerful entry into 2012.
