Archive | Producers

005 – inverted

Genre Discourse: Kill Your Genre!

This article about genres is long overdue. First off, we’re tired of all the blanket genre labels that keep popping up. Take the genre “electro,” for example. Wikipedia lists so-called “electro” artists such as DMX Krew, Kraftwerk, Afrika Bambaataa, Cylob and even Cat Stevens as artists related to the genre. Electro isn’t listed under any of Cat Stevens’ main Wikipedia page genres, and rightfully so. Apparently he dropped some album called “Was Dog a Doughnut,” that was allegedly a precursor to the “electro music genre of the 1980′s.”

At the end of the day, what is electro? Just some bullshit (for lack of a better adjective) commercial term that was developed by record labels to try and put various artists in a box. When artists are nicely packaged in a box, it’s easier to say what kind of music you like, and therefore figure out what kind of music you’d purchase. However, does that mean it’s accurate to do so?

Ever ask someone, “Hey, what kind of music do you like?” Only to get a response like, “Oh, I listen to everything,” or “Oh, I listen to everything but country,” or everything “but rap,” etc. Everything but country. Why’s that, because country is “uncool,” in some circles? It could also be that country is extremely popular in the US, and was the number one genre of music before hip hop or “rap” took its throne. Calling hip hop “rap,” really is kind of inaccurate as well, because “rap” refers to “rapping,” which is a trend in hip hop music. Calling hip hop “rap,” is kind of a thing of the 90′s though, back when music stores were still brick-and-mortar and not overtaken by digital storefronts.

I actually designed the font for the “rap” genre header on the Universal Music Group page back in 2008, just with a handwritten then digitally edited font, because theirs was struggling. Don’t believe me? Here’s a screenshot of my font on their genre header:

cropped Genre Discourse: Kill Your Genre!

Here’s what their previous genre headers were…

genre headers all Genre Discourse: Kill Your Genre!

Yes, I took time away from studying for law school finals to work on a genre font for UMG. Why not?

Also, just because I’m a digital packrat and nerdy enough to save screenshots of my desktop, here’s the full shot of my desktop at the time as well as the rough font sketch.

desktop 2008 Genre Discourse: Kill Your Genre!

005 inverted Genre Discourse: Kill Your Genre!

Of course, UMG has since revamped their site–after all it has been four years–but graphic design bragging-rights tangent aside, the mainstream labels package music in genres for sales purposes, even if what genre a musician’s songs fit is debatable. It goes beyond that though, mainstream genres are not even correct or accurate anymore.

The genre “electro” is garbage, and referring to hip hop as “rap” is also lamely imprecise, but let’s take a look at the “chillwave” genre. Aside from being a terribly cheesy name for a genre, since any reference to music with the word “chill” in it has always made us cringe, even the musicians at the forefront of the alleged “chillwave” genre do not even classify their music as such. Back to Wikipedia,

The Wall Street Journal quoted Alan Palomo of Neon Indian on genre, “Whereas musical movements were once determined by a city or venue where the bands congregated, ‘now it’s just a blogger or some journalist that can find three or four random bands around the country and tie together a few commonalities between them and call it a genre,’.”[5] Despite the stylistic similarities listed above, Palomo and other artists have questioned whether chillwave actually constitutes a discrete genre.

So there you have it, now we have random people on the Internet trying to put music in boxes as well, and those genres can become “real,” in that people actually use them? Come on! It’s bad enough that genres are imprecise as it is, but now anyone with a web site that gets traffic can create them?

Human nature makes us want to put everything in a box, from music to gender, even though life can’t just all be lumped together. Trying to simplify the world this way is a terribly unintelligent idea. If someone sees a baby boy on a train dressed in pink clothes that are arguably “girly” it can frustrate them because they can’t tell if the kid is a boy or a girl. That’s straight from the professor of a graduate level anthropology class. The tendency to want to see things in black and white is because it’s just easier that way, aside from that fact that human nature is completely irrational.

People who don’t care about music very much don’t listen enough to actually be able to discern differences between different genres and I also cringe at the number of times I’ve heard people say “it all sounds the same,” about a genre when if you actually follow that type of music, you will notice differences that are substantial enough to split into all kinds of sub-genres. Even then though, with experimental music, and even new music that is more conventional, it is best to classify music with multiple genres and sub genres.

The only reason to use sweeping genres that lump together a bunch of pre-existing genres that truly are different is to dumb things down for people who don’t really listen to music, but just skim through it. That’s right. I’ve heard people refer to all electronic music as “house” or “trance.” Again, come on! Really? It’s those same lazy people with typically dull taste in music that use commercially created terms like “electro” and “chillwave.”

So IDM is a stylistic origin of chill wave? Really? As someone who has been listening to IDM since the 90′s, that sounds absurd to me. This Autechre track, “Gantz Graf,” is IDM. So then, shouldn’t we be able to hear some influence from it in Neon Indian’s music? I can’t.

Just because Autechre used a lot of editing in the sequencer and digital sound processing to make that track doesn’t really make it anything at all like Neon Indian’s music. Think back to that person who goes around telling people “Uh, yeah, I listen to a little bit of everything, except country.” For reals? So, we might find them in their car rocking out to the Autechre track above? Doubt it. They probably don’t listen to anything that’s experimental at all. Oh the things we say that are driven by our insecurities.

So in conclusion, the question we pose is this: are you a dumbed-down herd follower of a person when it comes to music? Do you actually have enough passion for music that you spend a reasonable amount of time seeking it out, listening to it without talking over it, and enjoying it? If so, maybe then you will hear enough differences from one musician to the next that it will feel completely wrong to throw a musician in a smorgasbord sack of shit genre. <3.

Posted in Bands, Electronic Music, Electropop, Experimental, Glitch, Hip-Hop, Music, Music Videos, Producers, Random, Videos1 Comment

amberscape ep – nmd003 – noisy meditation

Noisy Meditation: Amberscape EP (NMD003)

amberscape ep nmd003 noisy meditation Noisy Meditation: Amberscape EP (NMD003)

The third release from the Noisy Meditation label and we’re loving it! Within just a few weeks of release, it has already climbed to a #2 spot in the UK Funky Garage genre on digital-tunes.net, and with good reason. Listen for yourself!

The best place to buy this record is here on Juno.

Amberscape EP (NMD003) – Out Now by Noisy Meditation

Review via Juno.

Australia has been a little slow to catch on to the whole post-dubstep thing, with garage inspired bass with a broken beat yet to truly catch on in the Southern Hemisphere. However, with the release of Sydney artist Amberscape, it looks as if that may be changing. Although comparisons with Burial are likely to come thick and fast, mainly due to the EP’s rich atmospherics and haunted vocals, Sepalcure might be a more useful reference point: “Yuki-onna”, with its sun-drenched chords and bone dry snares, is a prime example. Elsewhere, “Howiloathe” stands out with its deep house-influenced bass and 2-step rhythm, while “Kino” combines pressure cooker atmospherics with mournful vocals and “Maerd” rounds off a fine EP with a shimmering exercise in tension with all the production mastery of his North American peers. Recommended.

Posted in Electronic Music, Garage, Music, Producers0 Comments

LuckyMe: SXLND – Five Track Machinedrum EP – Digital & 12″ Edition Out January 17th 2012.

LuckyMe: SXLND – Five Track Machinedrum EP – Digital & 12″ Edition Out January 17th 2012.

SXLND machinedrum LuckyMe: SXLND   Five Track Machinedrum EP   Digital & 12″ Edition Out January 17th 2012.

MACHINEDRUM – SXLND by LuckyMe Music Art Parties

LuckyMe is proud to present SXLND, the new 5 track EP from Machinedrum.

It’s been a great 18 months for Travis Stewart. Since we released his Many Faces EP in 2010 we’ve seen a succession of new hip hop, juke & 2step projects on labels Hot Flush, Planet Mu and of course LuckyMe. In Summer 2011 we released his underground smash Alarmaa which featured as part of Jackmaster’s FABRICLIVE 57 CD and tore apart Sonar Festival, clubs and Boiler Rooms alike. But now Stewart is back with Lucky Us for a project 2 years in the making – a sparkling take on Deep Chicago and Modern UK House entitled SXLND.

12” EP comes with Digital Download Card with exclusive Scuba Remix and cut-out Geisha inner sleeve.

Head over to thisisluckyme.com to Pre-order the vinyl copy now!

machinedrum sxlnd LuckyMe: SXLND   Five Track Machinedrum EP   Digital & 12″ Edition Out January 17th 2012.

Posted in Abstract Hip-Hop, Electronic Music, Experimental, Featured, Hip-Hop, Hipster Rap, House, Music, Producers, R&B0 Comments

Song of the Week: January 1, 2011

Song of the Week: January 1, 2011

praveen sharma Song of the Week: January 1, 2011

Fall-Ladybugs-You (Fade Out) by praveensharma

badge itunes lrg Song of the Week: January 1, 2011

Posted in Ambient, Electronic Music, Experimental, Former Songs of the Week, Music, Producers0 Comments

SWAY+SINGLE

A.B. DA DON – SWAY (THE OFFICIAL VIDEO)

SWAY+SINGLE A.B. DA DON   SWAY (THE OFFICIAL VIDEO)

Rapper A.B. Dadon is not waiting for the New Year. He has other plans and that’s staying out of The DA’s office and in the studios planning out his next moves. A.B. Dadon has been in the scene for 2 years collaborating with heavyweight producer Dame Grease , Max B and Uncle Murda on several tracks, so it’s no surprise Just a weak ago AB was at the infamous QUAD studio finishing the soon to be released street CD ‘Cold World2’. AB enlisted All Area Crew to shoot his Video SWAY. Cold World 2 is slated to drop 2012…but in the meantime enjoy the toast to the Good Life Swaaaaay. and join the movement www.abdadon.com. Follow AB on twitter @Abdadon.

Posted in Hip-Hop, Music, Music Videos, Producers, Videos0 Comments

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